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A Look Into the Workshop

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= Mandonator™ Serial #9 ===

This one's for me. After three years of steadily playing Mandonatorâ„¢ #2, built as a prototype, I decided to upgrade to a fancier instrument. It's also a chance to try fanned frets, which have intrigued me for quite a while.

 

The optional features are:

  • Five strings with scale ranging from 13.875 to 14.295"
  • Monkeypod body with rosewood binding
  • One F-shaped soundhole
  • Honduran Rosewood fingerboard
  • Fanned frets
  • Brass-framed mother-of-pearl position markers
  • Snakehead shaped headstock and Monkeypod veneer
  • Gotoh 510 Mini tuners; tailpiece TBD

 

Standard features include:

  • Spherically arched back
  • Spanish Cedar neck
  • Radiused fingerboard
  • Spider bridge and resonator cone
  • Cutaway
  • Maple saddle and bone nut
  • Glossy lacquer finish

 


Picture shows the end blocks being installed on Mandonator 9

The sides are joined using end blocks. Here the sides are held in a form and the end blocks are clamped in place at each end. Wax paper separates the outside of the instrument body and the form to prevent any glue seepage from joining them together.


Joined front and back pieces for Mandonator 9

The bookmatched and joined halves of the front (left piece in photos) and back have beautiful figure. The photo on right shows the bracing on the inside of the back.

Joined front and inside back with braces for Mandonator 9

 


Mandonator 9 is ready to have soundholes cut

With the top and sides attached, the opening for the resonator cut, and its ledge installed, the next steps are to cut the soundhole and attach the back.


Mandonator 9 - Shaping the braces on the back

Before attaching the back, I shape the ends of the braces. This should allow the back to vibrate more freely, producing a nicer tone.


Necks for Mandonators 9, 10, and 11 prior to installing fingerboard

These are the necks, in progress, for instruments 9, 10, and 11. I've installed the graphite truss rods, created the tenons for the body joint, and attached the headstock veneers. The head and heel shapes have been roughed in. Meanwhile, I've been slotting the fretboards for these necks. Next in the process is to inlay the headstocks and fretboards. After that, I'll complete the fretboard shaping, install frets, and prepare to attach them to the necks.


Photo showing the body, neck, and unattached fingerboard of Mandonator 9

It's been a while since the last photo of this instrument! The body is complete, with soundhole and binding, and the fingerboard is ready to attach to the neck.


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